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The 'Gold-ground' aesthetic
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Objects
Glossary
About
🔎
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NEWS

Exhibitions - Videos - Publications

Italy - USA - Germany - France - England - Spain

Recommended publication: Italian Paintings at the Yale University Art Gallery
Publication, USA rodesi 10/07/2025 Publication, USA rodesi 10/07/2025

Recommended publication: Italian Paintings at the Yale University Art Gallery

Volume 1: 1230-1420 - This volume by Laurence Kanter and Pia Palladino is not merely a catalogue; it is a vital bridge to understanding the spiritual and technical genesis of the Western tradition.

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Recommended publication: Techniques of Painting and Gilding in Late Medieval and Early Renaissance Italy
Publication rodesi 22/11/2024 Publication rodesi 22/11/2024

Recommended publication: Techniques of Painting and Gilding in Late Medieval and Early Renaissance Italy

Egg Tempera and Gold Leaf on Wood Panel - While many admire the sublime beauty of a finished gold-ground panel, Betka invites us into the bottega—the workshop—to witness the rigorous discipline required to achieve such divinity.

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Recommended publication: Siena - The Rise of Painting, 1300-1350
Publication rodesi 01/10/2024 Publication rodesi 01/10/2024

Recommended publication: Siena - The Rise of Painting, 1300-1350

For any devotee of the Trecento, the first half of the fourteenth century in Siena represents the absolute pinnacle of the "Fondo Oro" tradition.

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Recommended publication: Siena - The Life and Afterlife of a Medieval City
Publication rodesi 20/02/2024 Publication rodesi 20/02/2024

Recommended publication: Siena - The Life and Afterlife of a Medieval City

An authoritative, richly illustrated history, and affectionate celebration, of Siena, one of the best-loved and most-visited cities in Italy.

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Recommended publication: Portable Panel Paintings at the Angevin Court of Naples
Publication rodesi 26/05/2022 Publication rodesi 26/05/2022

Recommended publication: Portable Panel Paintings at the Angevin Court of Naples

This book explores the mobilities and materialities of panel painting at and beyond the Angevin court of Naples in the context of objects, materials, patrons, and painters on the move through the fourteenth-century world.

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