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Techniques of Painting and Gilding in Late Medieval and Early Renaissance Italy

Egg Tempera and Gold-Leaf on Wood Panel

by Ursula Betka

Fondo Oro:

We have always believed that to truly appreciate a masterpiece, one must understand the silent, laborious alchemy that occurs before the first brushstroke is even cast. It is for this reason that Ursula Betka’s Techniques of Painting and Gilding in Late Medieval and Early Renaissance Italy occupies a place of honor in our recommended library. While many admire the sublime beauty of a finished gold-ground panel, Betka invites us into the bottega—the workshop—to witness the rigorous discipline required to achieve such divinity.

By grounding her research in Cennino Cennini’s fourteenth-century treatise, Il Libro dell’Arte, and bringing it to life through decades of practical experience, she bridges the gap between historical theory and the physical reality of wood, egg, and gold. For the connoisseur, this book provides the eyes to see the structural soul of an altarpiece. For the artist, it is a masterclass in a sacred tradition. It is a vital contribution to our field, reminding us that the "gold ground" is not merely a background, but a testament to human craft and devotion.

Hardie Grant Media, 2024, 272 pages, Hardcover, ISBN: 9781761450952

Techniques of Painting and Gilding in Late Medieval and Early Renaissance Italy examines both the historical and contemporary methodologies of painting and gilding, along with the theological meanings of sacred art in the tradition of egg tempera painting and decorative gilding on wood panel. Cennino Cennini’s seminal text, Il Libro dell’Arte, written in late-fourteenth century Florence, provides a starting point for an exploration of workshop techniques and material, through the lens of contemporary artistic practice and workshop techniques.

Techniques of Painting and Gilding in Late Medieval and Early Renaissance Art utilises author Ursula Betka’s (Ph.D., B. Ed.) extensive artistic and practical experience, alongside more than 20 years’ in leading a sacred arts workshop. Accompanied throughout with detailed photographic records of materials and processes, along with beautifully reproduced late Medieval and early Renaissance artwork, Techniques of Painting and Gilding in Late Medieval and Early Renaissance Art is a welcome addition for any budding artist or connoisseur.