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CONDITION of the BOOK: This book is in very good condition. No issues. Used.
Monography by Joseph Archer Crowe, Giovanni Battista Cavalcaselle, Anna Jameson
Parkstone Press, 2020, 200 pages, Softcover, ISBN: 9781783103928
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible - visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader, in the course of these forgotten masterworks, will discover how the sacred began to take a more human form, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.
Sir Joseph Archer Crowe was an English consular official and art critic, whose volumes of The History of Painting in Italy, co-written with the Italian critic Giovanni Battista Cavalcaselle (1819-1897), stand at the beginning of disciplined, modern art-history writing in English. With Cavalcaselle (an Italian writer and art critic), he produced several historical works on art of classic importance, notably Early Flemish Painters (London,1857) and A New History of Painting in Italy from the Second to the Sixteenth Century (London, 1864-1871, 5 vols.).
Table of content
Introducing: Something about Pictures and Painters
Revival of Art in Siena - Fundamental Difference between Sienese and Florentine Art
Early Christianity and Art
Memoirs of the Early Italian Painters
Guido da Siena
Giovanni Cimabue
Cimabue and the Rucellai Madonna
Duccio di Buoninsegna
Ugolio di Nerio
Segna di Bonaventura
Giotto di Bondone
Pietro Cavallini
The Campo Santo
Andrea Orcagna
Taddeo Gaddi
Simone Martini (Simone Memmi)
Conclusion
CONDITION of the BOOK: This book is in very good condition. No issues. Used.
Monography by Joseph Archer Crowe, Giovanni Battista Cavalcaselle, Anna Jameson
Parkstone Press, 2020, 200 pages, Softcover, ISBN: 9781783103928
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible - visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader, in the course of these forgotten masterworks, will discover how the sacred began to take a more human form, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.
Sir Joseph Archer Crowe was an English consular official and art critic, whose volumes of The History of Painting in Italy, co-written with the Italian critic Giovanni Battista Cavalcaselle (1819-1897), stand at the beginning of disciplined, modern art-history writing in English. With Cavalcaselle (an Italian writer and art critic), he produced several historical works on art of classic importance, notably Early Flemish Painters (London,1857) and A New History of Painting in Italy from the Second to the Sixteenth Century (London, 1864-1871, 5 vols.).
Table of content
Introducing: Something about Pictures and Painters
Revival of Art in Siena - Fundamental Difference between Sienese and Florentine Art
Early Christianity and Art
Memoirs of the Early Italian Painters
Guido da Siena
Giovanni Cimabue
Cimabue and the Rucellai Madonna
Duccio di Buoninsegna
Ugolio di Nerio
Segna di Bonaventura
Giotto di Bondone
Pietro Cavallini
The Campo Santo
Andrea Orcagna
Taddeo Gaddi
Simone Martini (Simone Memmi)
Conclusion